ELECTRIC TREES

Bobe’s motley collection of short stories delivers drama, weird creatures, and horrors.

In the opening story, “Fins,” a woman gradually develops gills and a tail every time she’s in water. She’s becoming something else, but a full transformation could mean leaving behind the life she knows. This is just one of a handful of genres that Bobe expertly tackles. The heartfelt “All of His Loved Ones” stars a funeral director struggling to accommodate a family that wants a beloved elephant at their uncle’s outdoor service. The disconcerting “Husband” follows Delila Ryan, whose husband, Henry, insists he’s named Scott Ryan and that she’s confusing details of their marriage. The theme of family ties the diverse tales together, from a cabal of witches with secrets in their past to the fractured unity of a father, sons, and daughter whose matriarch has left them. The author excels at driving readers toward unexpected turns. “The Tuesday Murders,” for example, is a potent take on the familiar Groundhog Day scenario in which a woman takes drastic measures against a potential stalker, her apathetic boss, and her harassing co-workers. Other stories’ unpredictability fuels an obscure but ominous horror. In the standout “The Hum,” Maria starts working at a small-town library. As if locals’ discussions of an incessant “hum” Maria can’t hear isn’t unnerving enough, there’s also the previous employee who has mysteriously disappeared. It all culminates in a doozy of an ending. Bobe’s vibrant metaphors (“Her voice is a twist of green tendrils, bright like poison, alluring like spindles or a locked box. This house, with its clocks out of sync and no screens on the windows, might as well be a flowering vine”) only strengthen this inventive, creepy collection.

Eclectic tales take readers through jolts, inspired moments, and endless awe.