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A HOPE MORE POWERFUL THAN THE SEA

ONE REFUGEE'S INCREDIBLE STORY OF LOVE, LOSS, AND SURVIVAL

More than anything else, this is a testimonial to the very definition of heroism—when, that is, an ordinary person responds...

A Syrian refugee’s perilous journey to the West.

The subject of an earlier TED talk by Fleming, the head of communications and chief spokesperson for the United High Commissioner for Refugees, Doaa Al Zamel was not yet 20 when she was driven from her homeland by civil war and a brutal government campaign against her rebel region. The numbers, as the author cites them, are daunting and the odds very much against Doaa: more than 5 million Syrians forced to flee abroad, many more than that made internal refugees in their own country. Doaa left with the vaguely formed idea of making her way to asylum in Europe. In the hands of smugglers, beset by rough seas and pirates, she survived a horrific shipwreck, so far among the deadliest in the annals of illegal migration from Africa to Europe, with more than 500 victims. She also saved the life of a toddler, earning awards from humanitarian agencies and calling renewed attention to the plight of refugees from Syria. Finally resettled in Sweden, Doaa’s story is one of the few refugee tales so far to have anything approaching a happy ending, making Fleming’s narrative an aspirational if perhaps unusual one. As for Doaa herself, who closes the book with a brief statement, she aspires “one day…to return to Syria so I can breathe again.” Fleming’s competently written book has modest value as an expanded record of a story already widely reported. In the hands of the right readers, it will change the minds of some Westerners about the intent and character of the foreign people who are streaming their way, though it is hard to imagine it altering the policy of, say, a Republican governor in the Midwest.

More than anything else, this is a testimonial to the very definition of heroism—when, that is, an ordinary person responds in extraordinary ways to extraordinary events.

Pub Date: Jan. 24, 2017

ISBN: 978-1-250-10599-8

Page Count: 288

Publisher: Flatiron Books

Review Posted Online: Dec. 7, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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