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STARFLIGHT

The less-imaginative end of outer-space adventure romance.

A penniless girl and a wealthy boy, enemies, are stuck together on an outer-space journey.

Solara has no family, no connections, and knuckle tattoos advertising her criminal record. She wants to turn her mechanical skills into a vehicle for self-sufficient life in the outer realm, but that’s far from Earth, so she needs someone to hire her for the trip and pay her passage. Enter Doran, her high school nemesis, “heir to the galaxy’s largest fuel corporation [and] first-string varsity football star.” Glaringly visible genre tropes include the gruff, motley spaceship crew that becomes family; the pirates and purposely brain-damaged torturers in pursuit; the alternating-between-protagonists third-person narration; and the enmity between Solara and Doran that will obviously turn to lust and love. Despite a far-future time frame and outer-space setting, Landers’ worldbuilding leans on such earthly details as rubber bands, Popsicle sticks, milled cider, funnel cake, and a barn dance with fiddles (on a distant planet). There are no nonhumans or extraterrestrials, and there is little science or technology beyond the outer-space premise. The protagonists are white; their two brown-skinned shipmates (whose blond “dreadlocks” are mentioned again and again) are stereotypically angry. For multiple narrators, creativity, and suspense in outer space, see Beth Revis’ Across the Universe series and Amie Kaufman and Meagan Spooner’s Starbound series instead.

The less-imaginative end of outer-space adventure romance. (Science fiction/romance. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-1-4847-2324-1

Page Count: 368

Publisher: Hyperion

Review Posted Online: Oct. 13, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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LEGENDARY

From the Caraval series , Vol. 2

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.

Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.

Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)

Pub Date: May 29, 2018

ISBN: 978-1-250-09531-2

Page Count: 464

Publisher: Flatiron Books

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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