OYE

The fortunes and misfortunes of a Colombian American family in South Florida.

Just as she’s about to start her senior year of high school, Luciana finds her life going off track: Hurricane Irma is about to make landfall and her mother insists that they evacuate. Although they plead with her grandmother to go with them, the strong-willed Emilia absolutely refuses. In Mogollon’s bouncy debut novel, angry, exasperated, melodramatic Luciana is the voluble narrator, recounting the events of her life in phone calls to her older sister, Mari, a student at George Washington University. Luciana sorely misses Mari, envying her freedom, jealous because their mother obviously favors Mari, but needing her love. She shares with Mari predictable teenage angst about her dismal grades, the stress of applying to college, and her mother’s obsession with her weight. She resents, too, her mother’s homophobia. “When I told her that I liked girls,” Luciana says, “…she didn’t go to work for like two weeks.” But after she and her mother return to Florida, Luciana’s calls to Mari become focused less on her own problems and more on a family crisis: Her beloved grandmother—a foxy woman who has had two boob jobs and won’t leave the house without full makeup—is seriously ill. Suddenly, Luciana becomes her mother’s confidante; she gets close to her grandmother’s sister, long estranged, who has come to help out and, she hopes, to be forgiven; and she is privy to dark secrets from her grandmother herself. In call after shocking call, Luciana imparts to Mari a tangled history of their Colombian American family, which began with the murder of a great-grandfather and involves incest, sexual assault, abandonment, blackmail, and betrayal. “This is all basically a Telemundo soap opera,” Luciana tells Mari. Mogollon’s fresh, ebullient narrator is at once irreverent and caring, anxious about the future but eager to embrace adulthood, fearful of loss and filled with love.

A sprightly debut.