paper 0-86538-095-3 Moving, deeply satisfying fiction, set with great exactitude in 1870s England, that chronicles the turbulent romance of an ambitious, scientist with a gifted young medium. Sir William Herapath, well married and already a respected member of the scientific establishment, is first drawn to the frank young psychic Selene Cook by her reputed powers. Convinced that some kernel of truth lies behind the flummery associated with spiritualism (dismissed by many as mere parlor tricks and smoke), Herapath lets himself be talked into launching a lengthy investigation of Selene’s powers. She moves into his mansion, where, largely ignored by his moody, death-obsessed wife (who has just embraced the wonderfully Victorian fad of taxidermy), Selene begins to seduce Herapath. At the start, she’s simply desperate to escape from her poor, seedy family and make a name for herself. Herapath quickly discovers that her most spectacular gifts (such as manifesting a spirit form while tied to a chair) are false. Only later, after the two have begun an affair, does he discover that she really commands psychic powers; she is, for instance, unerringly able to read people’s futures in their faces. The affair ends disastrously: in an attempt to preserve his reputation, Herapath renounces both the pregnant Selene and his likely discoveries. None of this is entirely surprising. Still, Pritchard (The Instinct for Bliss, 1995, etc.), thanks to the complex life of her characters—and to her sparring but effective use of period diction and detail—manages to make it all seem new. Selene’s last days, and Herapath’s long struggle to deal with his guilt, are rendered with considerable power and emotional resonance. The bittersweet mysticism of the conclusion seems especially apt. A distinctive achievement, both as a historical novel and a romance. Fit to stand on the shelf with Fowles’s The French Lieutenant’s Woman and Byatt’s Possession. (Author tour; TV satellite tour)
Pub Date: Nov. 16, 1998
ISBN: 0-86538-094-5
Page Count: 230
Publisher: Ontario Review
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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