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TITO THE BONECRUSHER

An uplifting gem.

To rescue his father from prison, 11-year-old Oliver “Spaghetti-O” Jones tries to get a little help from his favorite luchador.

After months of legal woes, Oliver’s father ends up in a Florida correctional center despite his assurances to Oliver and his irritable big sister, Louisa, that “[e]verything was going to be fine.” Now Louisa won’t even talk to their father, but Oliver’s not giving up that easily. Inspired by his favorite luchador-turned–action hero, Tito the Bonecrusher (motto: “Never quit trying!”), Oliver needs to concoct a plan to bust his father out of prison. To do so, he must infiltrate a charity gala to meet the bombastic action star, who holds the know-how required for such a daring caper. Thomson’s excellent middle-grade debut plumbs the absurdity and desperation inherent in a painful situation. Throughout the ordeal, Oliver battles and suppresses his grief and pain in a way that younger readers can recognize and perhaps understand amid the humor; more than anything, it’s this implicit focus that makes this novel a great one. Going along for the tumultuous ride is Oliver’s best friend, Brain (a girl genius), and some unexpected allies. Each scheme (celebrity photos with forged signatures, skipping detention via a decoy) seems more outrageous than the last, but when the day of the gala arrives, will Oliver have what it takes to save the day? A white default is assumed.

An uplifting gem. (Fiction. 8-11)

Pub Date: March 5, 2019

ISBN: 978-0-374-30353-2

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 21, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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