A sweet tale highlighting the tenacity and contributions of immigrant families.
An unlikely pair try their luck.
A young girl named June and her family, recent emigrants from Asia, approach an empty sushi restaurant, where a Lucky Cat statue on the counter sparks the parents’ excitement. They explain to June that the restaurant is their hope for financial stability. One night, June discovers that the statue can come to life. Lucky Cat hands June a broom, and the two work together to clean up the restaurant. Despite polishing things up, Lucky Cat accidentally spills vinegar onto the orders. A few more cat-related mishaps lead to the restaurant closing. Undeterred, the family attempts to open a laundromat as well as several other businesses, all of which fail as the “lucky” feline continues to offer aid. Frustrated, June eventually blames Lucky Cat, scaring her away. Despite the emotional roller coaster the family endures, the descriptive narrative maintains an even tone. Chen deftly uses contrasts in light to heighten emotions in the brightly colored cartoons—in particular when we see June wrapped in a family embrace and given a gentle reminder of the importance of family. A reconciliation with Lucky Cat and a pivot to the family’s homemade baos finally bring good fortune. (This book was reviewed digitally.)
A sweet tale highlighting the tenacity and contributions of immigrant families. (Picture book. 5-8)Pub Date: Sept. 20, 2022
ISBN: 978-0-7112-7047-3
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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