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CLEAR CUT

Memorable and important representation of a poorly understood compulsion.

Heather discovers cutting by accident and encounters danger before finally getting help.

Heather’s parents’ severe fight sends the Maine high school freshman running to her best friend Liv’s house, but she finds Liv at home with Cooper, a popular older boy from school. As Liv becomes more preoccupied with Cooper, Heather takes action over the illegal developments destroying their forests and learns more about cutting from an online personality. She begins to use cutting to dull the pain of her home situation, helplessness, and loneliness. But she also comes second in an essay contest and discovers a theater camp, where she makes new friends: Trey, a Penobscot boy who is interested in Heather, and Josie, a bold and dynamic actress who turns out to be a cutter too. One night, Josie takes things too far. Both girls ultimately get the help they need from professionals. This novel, accessible to reluctant readers, presents short, powerful poems that convey vivid experiences. Dodds arranges the words against the blank space in creative designs that require readers to actively participate in making meaning of Heather’s thoughts, feelings, and senses. The story confronts gruesome truths—both physical and emotional—that help outsiders begin to understand the draw of cutting. It is implied that all the characters other than Trey are white.

Memorable and important representation of a poorly understood compulsion. (author’s note, resources) (Verse novel. 14-18)

Pub Date: June 1, 2020

ISBN: 978-1-5383-8515-9

Page Count: 200

Publisher: West 44 Books

Review Posted Online: April 11, 2020

Kirkus Reviews Issue: May 1, 2020

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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