A haunting reimagining of the Book of Psalms.
A Jewish author reflects on the Psalms through the lens of the Holocaust.
“Again and again, we are told that Adonai is and always has been merciful and compassionate,” writes Rosensaft in the book’s introduction, adding, “yet, we know that no such divine intervention…that no divine lovingkindness manifested itself at Auschwitz.” In this poetic reconfiguring of the Bible’s Book of Psalms, the author reinterprets the ancient writings (“in what may well be the ultimate manifestation of chutzpah”) in the context of the Holocaust (Rosensaft’s brother was killed in a Birkenau gas chamber in 1943). A legal scholar by trade, the author has published multiple works that combine memoir, poetry, and Holocaust remembrances. In these pages, responding to all 150 Psalms individually, the author balances his mastery of Jewish theology with a raw writing style that is unafraid to question, lash out at, and lament God’s seeming passivity in the face of evil. In his response to Psalm 23, a Biblical passage that has comforted Jewish and Christian believers for millennia, the author describes feelings of “emptiness” where there exists “no shepherd / only foes” as the children of God walk “through the valley of death.” Similarly, in his reimagining of Psalm 101, the author declares to God, “I will not sing to You…while slaughters of the innocent / remain unpunished.” As the son of Holocaust survivors who was born in a displaced persons camp in Germany shortly after the war, Rosensaft writes from a place of deep-seated pain and generational trauma. The work’s final section, “The Relentless Continuum of History,” highlights the perpetuation of antisemitic tropes (such as the notion that Jewish “killers…betrayed Christ”). One concluding poem, “Simhat Torah Requiem,” recalls the horrific events of October 7, 2023, stating that, “the ss have returned / to merge into hamas”; another laments the death of both Palestinian and Jewish children as Adonai and Allah watch in “anguish.”
A haunting reimagining of the Book of Psalms.Pub Date: Jan. 27, 2025
ISBN: 9781963475388
Page Count: 254
Publisher: N/A
Review Posted Online: Nov. 7, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
