This is a fantasy premise with great potential, but too much experimentation doesn’t allow it to thrive.
On their shared 18th birthday, four half sisters, who’ve only met in a dream world, must fight to the death to appease their demonic father, the nefarious Wilhelm Grimm.
Cambridge residents Goldie, Scarlet, Bea, and Liyana don’t remember meeting each other in their childhood dreams of visiting Everwhere. They don’t remember the immense powers they possessed there—powers of earth, air, water, and fire. Indeed, they have no idea they have sisters or who their father really is. But as their 18th birthday fast approaches, their powers begin to manifest in the real world. Their father’s soldiers, fallen stars disguised as men forever destined to hunt “Grimm Girls,” soon close in on their quarries. Only Leo, who inexplicably finds himself falling for Goldie, questions the point of this battle between good and evil and if he can bring himself to kill Goldie, thereby sacrificing himself. As each girl is drawn to one another, to their hunters, and to Everwhere, they must choose a path of light or darkness. The winner of the battle, as far as Grimm is concerned, will help him shape the dark fate of the mortal world. This tale is van Praag’s (The Dress Shop of Dreams, 2014, etc.) first attempt at a fantasy epic and, unlike her previous work, suffers from a muddled premise, vague stakes that don’t become clear until halfway through the book, and narration-induced whiplash. She jumps too quickly between several out-of-sequence chronologies and many different characters’ points of view. Meanwhile, the reader can't be sure who is actually telling this story—Goldie, who narrates some sections in first person, an omniscient narrator who sometimes talks to “you,” or whomever is telling the other characters’ sections from a third-person-limited perspective. On worldbuilding alone, van Praag’s atmospheric prose, intriguing premise, and diverse cast of characters receive high marks, but fantasy isn’t just about worldbuilding. There simply isn’t enough time spent with each character for readers to connect with them. Being cagey about key story elements does this plot a disservice as well. And while it’s admirable that van Praag tackles themes of surviving child abuse, violence, and sexual assault, along with caring for grandparents and parents with mental illnesses, they sadly often get lost in the meandering narrative.
This is a fantasy premise with great potential, but too much experimentation doesn’t allow it to thrive.Pub Date: March 31, 2020
ISBN: 978-0-06-293246-4
Page Count: 448
Publisher: Harper Voyager
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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