An exceptional debut, sensitive and rich without sentimentality.
A finely crafted first novel that, in the form of a young woman’s childhood recollections of her mother, creates a portrait of the last days of Franco’s Spain.
Young Maria de los Milagros, known to one and all as Milagrosa, has no one to blame but herself if she’s not a child prodigy: after all, her mother Carmen began taking her to school at the age of two. That, admittedly, was more for her mother’s benefit than hers—Carmen was the village schoolmistress and saw no reason to waste good money on a babysitter—but it gave Milagrosa something of a head start all the same. A sensitive and sheltered girl, Milagrosa is nevertheless completely overshadowed by her strong and outgoing mother. Used to getting her way, Carmen does not suffer fools gladly: in one of her fits of pique, she even punched out the mayor and was subsequently dismissed from her post. Undeterred, she took a position in her old hometown and moved back with her daughter, sister, and mother (her husband, who refused to move, was unceremoniously left behind). In her new surroundings, during the 1960s, Milagrosa grows up surrounded by all the old certitudes of Spain—making her First Communion; listening to Franco’s weekly radio broadcasts—but her coming-of-age is troubled by storm clouds of change looming over Spain and her family alike. Carmen finds herself the victim of a rebellion after her mother dies, when her nephew Arturo stands up to her and demands that his mother receive her fair share (i.e., the greater part) of the estate. That’s bad enough, but soon the whole country seems on the verge of turmoil when the elderly Franco falls deathly ill. Can Spain survive without Carmen’s beloved caudillo? Can Carmen? The old ways die hard, but hardest of all for the old themselves.
An exceptional debut, sensitive and rich without sentimentality.Pub Date: Nov. 7, 2002
ISBN: 1-903517-07-9
Page Count: 224
Publisher: Dedalus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
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