Overall, this Little Critter app benefits from deeper interactive features as well as improved character and voice work over...
The physical characteristics of Mayer's guinea pig–like Little Critter characters may not be evolving much, but the apps based on their books are. This 20-year-old take on the Grimm fairy tale is translated into a much richer experience than such previous iPad adaptations of his amusing storybooks as Just Grandma and Me, developed by Oceanhouse Media (2010).
While past Critter apps have been static experiences with extensive sound effects and a few passive games (trying to find hidden spiders in the illustrations, for instance), this one features more animation, smarter games (including word and picture matching) and some hilarious diversions in the story itself that aren't part of the original text. The artwork is typical—busy but filled with small jokes and witty touches—but enlivened here by sharp, expressive movement and some well-executed voice work. The Wolf, in particular, is a hiliariously hammy villain: "I believe my ears are in perfect proportion to my nose, don't you think?" he asks when questioned about his looks. "Yes, they are humongous!" Little Red Riding Hood chirps. A sidekick mouse who frequently warns about what's coming next isn't so entertaining, and page transitions are rough and erratic for such an otherwise polished production. Curiously, there's an ongoing coin-collecting game that rewards points for tapping on all items shown on the screen. It doesn't add much to the story and makes the app seem as if it's trying to be more game than story. It's not needed; the story would work fine without it, and the point tallying is distracting.
Overall, this Little Critter app benefits from deeper interactive features as well as improved character and voice work over earlier iterations. (iPad storybook app. 4-8)Pub Date: Sept. 12, 2011
ISBN: N/A
Page Count: -
Publisher: Sterling
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: Nov. 15, 2011
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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