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THE DICTIONARY OF FAILED RELATIONSHIPS

26 STORIES OF LOVE GONE WRONG

Thin and born, apparently, of bitterness.

Twenty-six women write of failed romances.

Broussard tries to ride a wave of adolescent feminism that’s sweeping the land by compiling a collection predicated on an artificial men-are-jerks foundation. This “is the kind of book I’d enjoy reading after a breakup,” she tells us. “Think of it as the literary equivalent of Ben & Jerry’s ice cream—delicious any time, but especially appropriate for times of PMS or heartbreak.” Only five of the stories have appeared previously, and all are given single-word titles, each presumably a facet of failing love. Permit a sampling. “We were good-looking Americans, too, gleaming with a kind of ironic roadtrip sexy,” begins Heidi Julavits’s “Ambivalence,” perhaps unwittingly pinpointing the reason why just the trip through Mexico won’t seem romantically perfect for long. Thisbe Nissen’s “Etiquette” is nothing more than upscale self-help, not resembling a story. “Regret,” by Jennifer Weiner, tells the old love story from the point of view of a daughter who winds up caught in the crossfire. Dana Johnson’s couple, contemplating a “Threesome,” quickly learns that in such endeavors someone invariably gets squeezed, and Susan Minot (“Green”) contributes what reads essentially like a one-act play of lovers discussing and encountering ex-lovers on the ripe occasion of a wedding. Other contributors include Elizabeth Benedict, Pam Houston, and Anna Maxted. The theme here—if you can call it that—wearies quickly, but what can you expect from an editor who blames her ex for the book’s very existence: “Tony, thank you. If you hadn’t been such a prick, this book would’ve never come into being.”

Thin and born, apparently, of bitterness.

Pub Date: May 1, 2003

ISBN: 0-609-81009-X

Page Count: 352

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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