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NOTES FROM AN INCOMPLETE REVOLUTION

REAL LIFE SINCE FEMINISM

Essays from a still idealistic baby boomer on the legacies of feminism—and on battles yet to be won. Maran (What It's Like to Live Now, 1995), a bisexual freelance writer and business consultant, considers life since the emergence of second-wave feminism. In these engaging personal essays, Maran, who has been in a relationship with a woman, Ann, for ten years and is raising two sons, ponders motherhood—her relationship with her kids and with her own mother; the abortion she had when she was 20 and her current friendship with the man involved; and monogamy with her long-term lover. She mulls over the feminist implications of (sometimes) wanting a man, and of dieting. In one particularly thoughtful essay, attending the Gary Ramona trial—in which a Napa businessman sued his daughter's therapists for allegedly implanting false memories of sexual abuse in her mind—she considers the backlash against abuse memories in light of her complicated personal experiences; having once thought she was an incest survivor, she has now changed her mind but believes that Ann was sexually abused. That piece ends with a sinister, bizarre, yet wonderfully ambiguous encounter with Ramona himself. The essays are lucid and absorbing the way good magazine articles are, but sometimes one yearns for a little more depth. In an essay exploring the personal and political implications of not getting along with her feminist mother, she doesn't quite get at the trouble—what exactly is wrong with her mother, with their relationship? Do their common interests perhaps hurt rather than help? And sometimes her view of the world seems too simple, as when she wonders how a homemaker friend's lifestyle ``advances the cause of women'': Readers may well wonder—why should it? Highly readable and relevant—though superficial at points.

Pub Date: May 1, 1997

ISBN: 0-553-09952-3

Page Count: 288

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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