Informative but largely unsurprising.
Out of the White House, Trump rages.
McGraw, a national political correspondent at Politico, makes her book debut with a close look at Trump’s life as ex-president, much of the time spent at Mar-a-Lago, his “decadent, sprawling, gilded mansion on the sea.” Trump bought the estate in 1985, converting it 10 years later into a posh club and resort, where “membership costs hundreds of thousands of dollars up front, plus annual fees of $14,000.” Drawing on interviews with politicians and aides, source notes from her reporting, and published articles, McGraw reveals Trump denying his presidential loss and plotting ways to burnish his political clout. He constantly whipped up conspiracy theories. Frustrated after being banned from Twitter, he founded Trump Media LLC to give him an internet presence in Truth Social, and he encouraged Republicans to grovel for his backing in upcoming races. “Believing—or at least peddling—Trump’s falsehoods about the election,” McGraw writes, was “a litmus test for a Trump endorsement.” Republicans who had voted for his impeachment were targeted for defeat. The much-publicized FBI raid of his premises in the summer of 2022 proved a fundraising boon. “More than ever,” writes the author, “he would become his own rallying cry. I am suffering for you would become his gospel.” McGraw chronicles Trump’s fury over books warning against the perils of another Trump presidency, as he kept close tabs on who was—and wasn’t—defending him. He dubbed the Jan. 6 committee the “Unselect Committee of political Hacks and Thugs.” He refused to take the blame for Republicans’ poor showing in the midterms, “the worst performance by an out of power party in decades.” McGraw ends with his victory in the Iowa caucuses, auguring the dismaying prospect of another Trump presidency, fueled by his desire for apocalyptic revenge.
Informative but largely unsurprising.Pub Date: Aug. 6, 2024
ISBN: 9780593729632
Page Count: 336
Publisher: Random House
Review Posted Online: June 14, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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