An episodic history of 40 years in an unnamed woman’s life, from childhood through early middle age, told in 11 subtly related stories: a debut collection by the Canadian author (new to American readers) of the highly praised recent nonfiction The Convict Lover. Simonds establishes her protagonist’s dreaminess in the first (title) story, which describes a seven-year-old girl’s explorations of the Brazilian hotel where her family lives while her father manages a nearby factory’specifically, her sighting of a neighboring guest who keeps a lion in his room and calmly walks the beast through the hallway. It’s a nifty image: both an expression of the child’s untrammeled imagination and a fantasy of protection and empowerment. The girl’s later experiences often take similarly visionary form: Instruction from a beloved teacher stimulates a meditation on the likely existence of angels; trips to Mexico and Hawaii summon up an understanding of the blessings and curses of continuity, conferred by viewing the ruins of an ancient Mayan city and seeing'in the specters of carnivorous tropical birds'disturbing corollaries to “the image that came to mind when I thought of myself: indistinct and flayed, nothing left but glistening bone and sinew.' These stories’ narrator is an incarnation of restlessness who phlegmatically distances herself from her family and home (in rural Ontario), sleepwalks through an itinerant marriage to a German sculptor, the father of her two sons, then separates from him and takes a lover while continuing to seek a “home” in the aforementioned and other foreign lands, eventually returning to Ontario, where Simonds concludes the book with a marvelous summary story, “The Day of the Dead.” This is a revelation of the woman’s encounters with death, climaxing with that of her mother and ending with a lyrical intimation of her own passing. Beautifully wrought, emotionally complex, satisfying fiction. Simonds may be the next Alice Munro.
Pub Date: Feb. 7, 2000
ISBN: 0-399-14591-5
Page Count: 272
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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