Wondrously written, but hobbled by the sort of tunnel vision that leads to thoughts of class war.
Observant debut stories about women make up for in style what they don’t achieve in range of subject.
Another batch of tales about women living, if not in New York, then somewhere on the East Coast under that city’s long shadow, might not, at first blush, seem the thing that literature has been crying out for. And indeed it isn’t. Here, though, the quite talented Wexler more than makes up for her somewhat hackneyed settings with the freshness of her language. The title story is the brashly hilarious telling of a youngish mother who, looking for ways to keep herself sane during the long days of walking around with a child strapped to her chest, starts inexplicably visiting a local porn shop. Less successful is “The Nanny Trap,” essentially a long interior rant by a ridiculously spoiled working mother who hates her nanny for her (apparently infuriating) competence. In “What Martha Wanted,” Wexler presents a limpid portrait of the licentious goings-on at a Massachusetts mansion, while “Helen of Alexandria” is the story of a teacher at a private girls’ school and her ultimate humiliation at the hands of her monied charges. Few writers can present such powerful emotions in Wexler’s clean, direct manner. But at the same time, unfortunately, her take on life, at least for now, is so limited that the working classes are seen almost uniformly as freakish, crude. and overweight, or simply pathetic. In the end, the project suffers from too little knowledge of the world beyond the hallowed halls of privilege.
Wondrously written, but hobbled by the sort of tunnel vision that leads to thoughts of class war.Pub Date: June 1, 2003
ISBN: 0-312-31057-9
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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