by Merle Bombardieri ‧ RELEASE DATE: June 26, 2016
A warmly empathetic and wide-ranging manual for readers debating whether or not to have a baby.
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A comprehensive guide focuses on the many variables in deciding to have a child.
In this revised edition of her nonfiction debut, clinical social worker Bombardieri walks readers through every aspect of the decision of whether or not to have a baby, a choice she rightly warns should not be made “lightly, by default, or by blind adherence to custom.” She tackles many of the most essential big-picture issues involving this matter, from whether or not it’s exclusively a woman’s choice to the decision’s alarming potential to “ruin your life” (as worried parents often warn). The fact that the author has had a large amount of experience dealing with all kinds of parents (and prospective parents) in all types of situations is quickly apparent in these pages, where all the basics are covered—questions of infertility, the possibility of adoption, the very real attractions of the childless life, and so on. The book likewise extends its reach to look at possible complications once the decision to have a baby is reached, everything from broad questions of general mental readiness for starting a family to the nitty-gritty of the various responsibilities, such as diaper-changing and mixing parenthood with work routines and career aspirations. Sections explore a wide array of options, including gay adoption and older parenting. In every case, relevant resources and challenges are clearly but not alarmingly examined. Bombardieri handles her extensive amount of information in a readable and smoothly authoritative narrative voice from start to finish, whether she’s discussing volatile emotional questions (her emphasis on partners really working to understand each other before they commit to a baby is refreshing) or blunt medical options like sterilization. The book never shies away from the starker aspects of its subject, touching not only on dark topics like miscarriage, but also on the “poison vials” or negative stereotypes about giving birth. She analyzes the pros and cons of day care, in-home care, and caretakers, but she spends a commendably equal amount of time dealing with the vital emotional landscape of the parenting decision. Her advice doesn't overemphasize the enormous financial cost a baby entails. Monetary planning is placed on more or less equal footing with social and familial preparation, presenting a more rounded picture than many parenting books tend to do. And she can be bracingly direct, as when she addresses the prospect of single parenting: “You may not need a partner’s support, but you will need somebody’s. No happy, single parent truly parents alone.” The book’s steadfast insistence that prospective parents disconnect their choice from undue outside pressures (be they from family or society in general) will doubtless strike many readers as just the breath of fresh air they need. Indeed, the whole guide exhibits that kind of sharp, transparent counsel and good sense. The bibliography and resources section are extensive enough to give prospective parents dozens of avenues for further research, and the volume’s practical optimism will make it invaluable to its target audience. This is the kind of wise and balanced advice many readers have been searching for.
A warmly empathetic and wide-ranging manual for readers debating whether or not to have a baby.Pub Date: June 26, 2016
ISBN: 978-0-9975007-0-7
Page Count: 352
Publisher: Orchard View Press
Review Posted Online: Aug. 29, 2019
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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