Sure to strike readers like a hammer.
Pistouvi the fox explores life with his human friend, Jeanne.
Pistouvi and Jeanne are best friends in a strange world with strange rules. The only adult presences come from the friendly Wind (shown as an ethereal, beautiful White woman) and abrasive Tractor (a light-skinned, bald man with an abundant black beard). Despite this, Pistouvi and Jeanne, who is a small, blond-haired White girl, make do with their treehouse home and have many goofy adventures together. Danger is never far off, however, as Pistouvi has a unique predicament: If he ever understands what the birds are saying, he will be forever changed. The birds are ever present, as the target of Pistouvi and Jeanne’s pranks or as bigger, more menacing figures. They add an ominous air to an otherwise lighthearted narrative, serving as a reminder that one day Pistouvi and Jeanne may grow apart. The prologue and each of the 10 subsequent chapters serve as their own separate but connected interludes, making this volume more accessible to casual readers. Merwan and Gatignol have crafted a whimsical—and sometimes dark—narrative similar in tone to Alice’s Adventures in Wonderland. The art is gorgeous, the style reminiscent of a black-and-white manga with gray tones. Details such as hair and fur are particularly well executed. The ending is both inevitable and saddening, surprisingly bleak in contrast to the overall more carefree tone.
Sure to strike readers like a hammer. (Graphic fiction. 12-16)Pub Date: Nov. 10, 2020
ISBN: 978-1-942367-95-6
Page Count: 192
Publisher: Magnetic Press
Review Posted Online: Aug. 27, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A few rough bits but inventive and visually stunning.
A young witch whose magic has been burned away undertakes healing journeys both physical and metaphorical in this graphic novel that was first serialized on Instagram.
Mingling riveting illustrations that incorporate fades, flashbacks, and other cinematic effects with a typographically venturesome narrative, Dhaliwal tells a tale of heroic exploits in which allegorical elements are never far beneath the surface. Burned at the stake but rescued by a pair of helpful (if often annoying) witches on a quest of their own, dark-skinned young “Singe” goes in search of her real name and the rest of her burned-away memories, as well as her lost magic, while her body slowly recovers. Along the way to a climax on the shores of Perish Lake, she meets other witches—notably Smoke Witch, a collective gathering of burnt but still aware ashes that rides the night wind—and engages in desperate struggles with three powerful, vividly portrayed demons: Disgust, Doubt, and Despair. The author’s imagination and graphic skills outpace her literary chops, but there’s plenty of entertaining friction and bonding in the colorfully wrought cast, and more than enough action in the plot to make it easy to overlook awkward phrasings and inappropriate word choices. Said plot does take some arbitrary turns, perhaps so that the ending can be left conveniently open. Still, it’s a grand adventure in a richly articulated setting, featuring a racially diverse cast and clever twists aplenty.
A few rough bits but inventive and visually stunning. (Graphic fantasy. 12-16)Pub Date: May 28, 2024
ISBN: 9781770466999
Page Count: 400
Publisher: Drawn & Quarterly
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
A timely and well-paced story of personal discovery.
Time travel brings a girl closer to someone she’s never known.
Sixteen-year-old Kiku, who is Japanese and white, only knows bits and pieces of her family history. While on a trip with her mother to San Francisco from their Seattle home, they search for her grandmother’s childhood home. While waiting for her mother, who goes inside to explore the mall now standing there, a mysterious fog envelops Kiku and displaces her to a theater in the past where a girl is playing the violin. The gifted musician is Ernestina Teranishi, who Kiku later confirms is her late grandmother. To Kiku’s dismay, the fog continues to transport her, eventually dropping her down next door to Ernestina’s family in a World War II Japanese American internment camp. The clean illustrations in soothing browns and blues convey the characters’ intense emotions. Hughes takes inspiration from her own family’s story, deftly balancing complicated national history with explorations of cultural dislocation and biracial identity. As Kiku processes her experiences, Hughes draws parallels to President Donald Trump’s Muslim ban and the incarceration of migrant children. The emotional connection between Kiku and her grandmother is underdeveloped; despite their being neighbors, Ernestina appears briefly and feels elusive to both Kiku and readers up to the very end. Despite some loose ends, readers will gain insights to the Japanese American incarceration and feel called to activism.
A timely and well-paced story of personal discovery. (photographs, author’s note, glossary, further reading) (Graphic historical fantasy. 12-16)Pub Date: Aug. 18, 2020
ISBN: 978-1-250-19353-7
Page Count: 288
Publisher: First Second
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 1, 2020
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