Complex scientific notions in a story format prove equally entertaining and perceptive.
In this sci-fi thriller, preventing a near-future plague may simply entail getting help by sending messages into the past.
Josh Scribner was a mere teen when he conceived the Beetle, a brain implant to treat seizures or neurological disorders. By 2039, the now-billionaire has come to the terrifying conclusion that Beetles may not be remedying such conditions but actually causing them. Each new implant makes the ailment worse, processing loads of data that affect even brains without Beetles and making everyone sick, including Josh’s daughter, Cierra. Fortunately, his physicist pal Min-Jun Dan has a potential solution: use available technology to send a metal marker back in time and establish communication with someone. In 2015, Air Force veteran and pilot trainer Maria Kerrigan stumbles upon a marker dated 1999 and addressed to Dr. Weldon Qualls at Princeton University. Qualls, a published supporter of time travel, enlists Maria’s assistance, not yet aware of what they’ll be preventing. Further correspondence (P.O. boxes and coordinates for new markers) confirms that an attempt to alter the future is unsuccessful. But there’s something bigger at play, as Josh suspects that some deaths in 2039 may not be from the Beetle itself but active assassinations. At the same time, Maria and Qualls, still in 2015, could be in danger. Thomas and Thurkettle’s (Seeing by Moonlight, 2015) time-traveling novel deviates from most other tales of this subgenre by focusing more on concept than action. This preserves simplicity throughout, even as Josh and Min-Jun discuss “other version[s] of now,” slight changes in their own lives as a result of Maria’s missions. The story also introduces a fascinating dilemma: can individuals retain memories from prior versions of themselves? Maria is initially more engaging than the plot, mercilessly tormented by deaths she caused by piloting drones and conversing with “the Voice” in her head. But the twisty second half is pure exhilaration, adding a clear-cut villain and new, essential characters. The authors’ prose is, like the book overall, intelligent and comprehensive, especially with chic terminology like “gravity wake,” a field created by accelerated particles, the essence of traversing space-time.
Complex scientific notions in a story format prove equally entertaining and perceptive.Pub Date: N/A
ISBN: 978-1-4835-7621-3
Page Count: 302
Publisher: BookBaby
Review Posted Online: Nov. 17, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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