An intimate portrait of the Indian community in Toronto from Vassanji (Uhuru Street, not reviewed). Nurdin Lalani is an East African of Indian descent who achieves an unimpressive but respectable equilibrium in Africa as a traveling shoe-salesman. But when African independence and nationalization movements of the 1970s make the situation in his hometown of Dar untenable, Nurdin immigrates to Canada with his wife, Zera, and their two young children, Fatima and Hanif. Life in Toronto is difficult for Nurdin. While Zera gets work immediately, and the children easily adapt to Canadian culture, Nurdin himself is jobless and rootless, both intrigued and intimidated by his unfamiliar surroundings. He's also placed in the awkward position of being supported by his wife and feels that he is not respected by his children. (Fatima tells her teachers that her father is a doctor, rather than an attendant, at the Ontario Addiction Centre, where he finally finds work.) Nurdin's solace and escape is in the strong Indian community that has somehow managed to replicate its East African lifestyle in Toronto, albeit modified. Gulshan Bai, for example, who had cooked for the residents of Dar over coal and wood fires with the help of numerous servants, continues to cook, but alone, in her apartment. Vassanji writes that ``it is not unusual to find coming down in an elevator a well-dressed young couple looking stiffly in front, holding...the local version of a bundle that a Gujarati peasant might carry: a plastic bag around several plastic containers.'' Best, here, are the author's descriptions of a transplanted people clinging to their past. The plot, loosely woven around Nurdin's being accused of molesting a woman, is secondary. Clear-eyed, sympathetic, and absorbing.
Pub Date: March 22, 1995
ISBN: 0-7710-8720-9
Page Count: 224
Publisher: McClelland & Stewart
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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