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THE WEDDING CRASHER

The emphasis on escalating action makes for a fast-paced but emotionally unsatisfying romance.

An associate lawyer asks a woman to pretend to be his girlfriend to impress the partners at his law firm.

Solange Pereira is helping her cousin work a wedding at a fancy Washington, D.C., hotel when something unexpected happens: Right before the ceremony, she overhears the bride confessing her love for another man. Although it’s awkward and uncomfortable, Solange disrupts the wedding, knowing this couple could never be happy. Dean Chapman is left at the altar but doesn’t seem overly bothered by this turn of events—he wasn’t in love; it was nothing more than a “modern-day marriage of convenience” to him. He intends to make partner before he turns 30, and having a wife and a family are just steps on the road to the kind of stability he never had as a child. When he returns to work a week later, the partners need two associates to woo a potential new hire. Only couples can be a part of the recruitment effort, so Dean impulsively asks Solange to pretend to be his girlfriend, figuring she owes him for disrupting his wedding. Solange feels guilty about her part in the fiasco and agrees to help him out. Faking dating proves difficult; Solange and Dean not only have to fool the associate who is in competition with Dean for a partnership promotion, but also keep the truth from her loving, nosy family. The modern rom-com can be a tightrope for authors who have to balance believable, zany antics with tight, authentic characterization. Sosa errs on the side of madcap plotting, with Solange and Dean responding reactively to crisis after crisis rather than moving their romance forward because of their feelings and choices.

The emphasis on escalating action makes for a fast-paced but emotionally unsatisfying romance.

Pub Date: April 5, 2022

ISBN: 978-0-06-290989-3

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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DEEP END

A surprisingly sensual sports romance.

A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.

Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.

A surprisingly sensual sports romance.

Pub Date: Feb. 4, 2025

ISBN: 9780593641057

Page Count: 464

Publisher: Berkley

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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