THE WEDDING CRASHER

An associate lawyer asks a woman to pretend to be his girlfriend to impress the partners at his law firm.

Solange Pereira is helping her cousin work a wedding at a fancy Washington, D.C., hotel when something unexpected happens: Right before the ceremony, she overhears the bride confessing her love for another man. Although it’s awkward and uncomfortable, Solange disrupts the wedding, knowing this couple could never be happy. Dean Chapman is left at the altar but doesn’t seem overly bothered by this turn of events—he wasn’t in love; it was nothing more than a “modern-day marriage of convenience” to him. He intends to make partner before he turns 30, and having a wife and a family are just steps on the road to the kind of stability he never had as a child. When he returns to work a week later, the partners need two associates to woo a potential new hire. Only couples can be a part of the recruitment effort, so Dean impulsively asks Solange to pretend to be his girlfriend, figuring she owes him for disrupting his wedding. Solange feels guilty about her part in the fiasco and agrees to help him out. Faking dating proves difficult; Solange and Dean not only have to fool the associate who is in competition with Dean for a partnership promotion, but also keep the truth from her loving, nosy family. The modern rom-com can be a tightrope for authors who have to balance believable, zany antics with tight, authentic characterization. Sosa errs on the side of madcap plotting, with Solange and Dean responding reactively to crisis after crisis rather than moving their romance forward because of their feelings and choices.

The emphasis on escalating action makes for a fast-paced but emotionally unsatisfying romance.