by Michael B. Kaplan ; illustrated by Stéphane Jorisch ‧ RELEASE DATE: Feb. 10, 2015
This story’s theme of self-reliance fails to adequately address keeping one’s hand out of purses (and pockets) that belong...
That mischievous handful known as Betty Bunny is back for her fifth exploration of the boundaries of acceptable bunny behavior.
In her previous escapades, Betty learned lessons in patience, accepting limits, honesty and persistence. These behaviors all come into play in this latest story when Betty attends an Easter egg hunt with her family. Her three older siblings help Betty find lots of eggs to put in her huge Easter basket, but Betty is dissatisfied with her impressive egg-gathering results because she didn’t actually find the eggs herself. She starts over and finds just three eggs on her own, taking pride in her solo accomplishment. This praiseworthy attitude is totally upended by the unfortunate conclusion, in which Betty gets into her mother’s purse and is caught taking money to buy an even bigger Easter basket. Betty’s rationalization for stealing is to repeat her parents’ earlier encouragement during the egg hunt: “It means so much more if I find it myself.” Funny, yes, but distressing too, as this is the end of the story. This latest caper may be just a bit too sassy for some adults, though others may consider it an acceptable teaching point. Betty and her family and friends are visually as charming as ever in cleverly detailed watercolor illustrations that bring the anthropomorphic rabbits to life.
This story’s theme of self-reliance fails to adequately address keeping one’s hand out of purses (and pockets) that belong to others. (Picture book. 3-6)Pub Date: Feb. 10, 2015
ISBN: 978-0-8037-4061-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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