by Michael B. Kaplan ; illustrated by Stéphane Jorisch ‧ RELEASE DATE: March 18, 2014
Betty fails to score with this underinflated effort.
Betty Bunny returns for a fourth entry in this successful series, focusing this time on scoring a goal for her soccer team.
In the previous stories in the series, Betty’s delightfully intense personality was defined through her obsession with chocolate cake, her over-the-top shopping spree in a toy store, and an incident involving lying and its consequences. These laugh-out-loud stories captured Betty’s precocious intellect and strong emotions, creating a believable character with a lovable streak of creative naughtiness. Alas, this time Betty just wants to score a goal on the soccer field like all the other little animals. She makes many mistakes in her first game, with her deflated attitude further depressed by snide comments from her older brothers. After just one week of coaching by her oldest brother, Betty scores her coveted goal in the next game and feels “the happiest moment of her life”—except for the first time she ate chocolate cake. The soccer plot feels forced onto Betty rather than growing out of her distinct personality, and some of the soccer jokes, such as scoring a goal in your own net, will be understood only by those children who already play soccer. Even the illustrations seem a little forced and crowded, lacking the distinctive sparkle of the previous stories.
Betty fails to score with this underinflated effort. (Picture book. 4-6)Pub Date: March 18, 2014
ISBN: 978-0-8037-3859-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Michael B. Kaplan ; illustrated by Stéphane Jorisch
by Michael B. Kaplan & illustrated by Stéphane Jorish
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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by John Segal & illustrated by John Segal
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