Two squires and their knights struggle to make their way back to England from the Holy Land after the bloody Siege of Acre. In this sequel to Cadnum’s The Book of the Lion (2000), Hubert, squire to Sir Nigel and best friend to fellow squire Edmund, takes up the narrative. His description of their fitful travels demonstrates that 12th-century Europe was a lawless place in the extreme, and the characters find that they are little safer in their journey than they were on the battlefield as they move from pursuit by a Saracen ship to a brief respite in Greece to a Rome beset by gangs. This makes for an episodic story with little cohesion beyond the characters’ desire to return home and their feud with a rival knight and his page, the resolution of which contains the heart of the text’s argument: how much is one willing to fight, and for what cause is a fight justified? Hubert himself makes for an appealing character; he enjoys both a sense of humor and a clear-eyed understanding of himself, flaws and all. As he describes the action, he observes it, weighing his faith in God and his desire to be a knight against the squalor of actual combat. There is the tendency to wonder how much Hubert’s attitude is informed by 21st-century values; certainly his mentor, who has seen much more combat than he has, appears to have no such qualms. Cadnum writes in an author’s note that he wanted to explore the “terrible paradox—that caring responsible individuals can engage in acts of brutality.” The narrative itself is caught on this paradox, moving from exciting skirmishes and jousts to Hubert’s moments of doubt, with imperfect success at finding an answer. The details of medieval Europe are vividly realized, the characters and their relationships are sympathetic, the action can be thrilling—but somehow it all adds up to less than the sum of its parts. (Fiction. 12+)
Pub Date: Sept. 1, 2002
ISBN: 0-670-89908-9
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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