by Michael Casey ‧ RELEASE DATE: April 14, 2009
Meandering but heady exploration of a focal point of politics and popular culture.
A semiotic history of one of the world’s most widely reproduced, ideologically fraught photographs.
First-time author Casey revels in the paradoxes behind the global dissemination of Alberto Korda’s famous 1960 snapshot of a defiant Ernesto “Che” Guevara, the Argentine-born Cuban insurgent leader. This ubiquitous image has exploited a communist stalwart as a brand to sell vodka and condoms, turned an atheist into a patron saint of the downtrodden and entangled an opponent of private property in an ongoing worldwide copyright dispute. It adorns the T-shirts and dorm walls of millions of college students who have no idea who Guevara was, or that he stood for something more consequential than rebellious cool. Casey offers a comprehensive tour of the icon’s progress. In the mountains of Latin America, a tourist industry retraces Guevara’s circuitous path, while leftist activists and authoritarian governments both claim his legacy. In the streets of Thailand, he shares bumper-sticker space with right-wing icon Rambo, both of them shaggy jungle guerillas. In the galleries of Europe and the United States, artists, conservatives, radicals, gays, religious folk and entrepreneurs battle over what the photo means. The author, Buenos Aires bureau chief for Dow Jones Newswires, sometimes bogs down in the minutiae of Latin American politics, but he maintains a clear focus on what the Korda photo says to him. For all Guevara’s failures as a revolutionary in the Congo and in Bolivia (where he was captured and killed), and for all the violent consequences of his idealism, Guevara remains to Casey a symbol of underdog resilience. Now that the image has been all but divorced from its initial context and meaning, he dreams that it can transcend ideology as well and become an icon of hope.
Meandering but heady exploration of a focal point of politics and popular culture.Pub Date: April 14, 2009
ISBN: 978-0-307-27930-9
Page Count: 384
Publisher: Vintage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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