by Michael Chin ‧ RELEASE DATE: Sept. 7, 2021
An earnest but flat coming-of-age novel.
In Chin’s debut literary novel, a second-generation Chinese American college student shares his experiences growing up in upstate New York.
Billy Chen was raised in conservative Shermantown, New York, where his heritage made him the target of bullying. “I’m half-Chinese,” explains Billy, “but in a place as white as Shermantown, there’s no room for hyphens and halfways. I was other.” His grandfather opened the first Chinese restaurant in Shermantown, where his father was also born. Still, Billy came of age feeling like an outsider. He tells, for example, of harboring a yearslong crush on Valerie Foster, a high-achieving White girl, despite the fact that she expressed racist views in his presence. He recounts his friendship with Mexican American Ricky Soberanes, whose family owned the restaurant next door to Billy’s grandfather’s. Billy also tells of shoplifting from a sporting goods store with a gang of friends called the Boil Crew—a name referring to a chemistry-class experiment gone awry. He struggles with his relationship to his mother, a chronically depressed White woman, and with the expectations that others thrust upon him. Most of all, he wonders if Shermantown was a good or bad place for him to grow up. Billy narrates this story as a student at an unnamed college,where he’s started to take classes tackling sociology and race, and where he lives down the hall from one of the White boys who once tormented him. He addresses his recollections to the girl he’s now dating: a complex young woman whose notable sensitivity helps Billy explore his own. For the first time, he feels like he’s found a place where he belongs—but he still wonders if he truly knows himself.
Chin’s prose is smooth and clean, written in a gentle, intimate tone befitting its framing device. The reader can imagine it as a story delivered across a dorm room late at night, during an extended moment of vulnerability: “I know it bugs you that I go on about Valerie….I mention her because she’s a part of me. A stupid part of me that was more in my head than any part of my life that anyone else could see.” Billy’s memories explore not only incidents of racism and the immigrant experience in America, but also issues of class, consent, homophobia, mental health, and sexual assault. However, the story plods along without the momentum that one might expect from a lengthy confessional account. The problem isn’t that Chin touches on so many fraught and topical issues, or even that he does so without weaving them naturally into a larger narrative. It’s more that the novel is so highly essayistic—driven by themes, rather than by a traditional, incident-driven plot—that the reader expects the conclusions that Billy reaches to be deeper, more emotionally complex, or more original. Instead, it offers few surprises. Billy’s girlfriend, like the reader, may have a rounder sense of who the protagonist is by the end, but he’s still more or less the same as he was at the beginning.
An earnest but flat coming-of-age novel.Pub Date: Sept. 7, 2021
ISBN: 979-8472913669
Page Count: 251
Publisher: Independently Published
Review Posted Online: Oct. 20, 2021
Review Program: Kirkus Indie
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by Michael Chin
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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SEEN & HEARD
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
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