A complex but emotionally effective tribute to the Irish author.
A shape-shifting fictional tribute to the novelist and playwright Samuel Beckett (1906-89), borrowing its structure from one of his works.
In 1976, the elliptical, Nobel-winning writer started an unfinished piece, “Long Observation of the Ray,” that proposed a method of writing around nine “themes” in a highly precise way, prescribing the number of sentences in recurring sections. Like Oulipo and other fussy literary organizational schemes, the end product risks becoming cold and abstruse, but Coffey (The Business of Naming Things, 2015, etc.) generates a decent amount of warmth adapting the concept and weaving alternating Beckett-themed story threads, distinguishable by different fonts. Among the strands: a critical essay on Beckett’s work; an unnamed narrator trying to imagine a story that’ll help his lover fall sleep; a fictionalized story of Beckett bemusedly attending a 1964 Mets double-header at Shea Stadium (“There’s a lot of futility in this game,” Beckett notes); and narratives of post–9/11 terrorism, from reports on treatment of Gitmo prisoners to recollections of the 2015 Paris attacks. Coffey doesn’t labor to make each section connect in obvious ways, but over the course of the book the fragmentary pieces help construct an overall defense of Beckett as more of a moral author than he’s given credit for. The abstract fatalism that defined works like Waiting for Godot was shaped by Beckett’s experience of World War II, Coffey argues, pushing him to contemplate both a sense of defeat and the need to press on after catastrophe, “an aesthetic credo that secured the moral ground enabling art to continue after Auschwitz.” Deep familiarity with Beckett's work isn’t essential to appreciate Coffey’s, but an affinity for Beckett’s worldview and gamesmanship helps; Coffey sustains a dark, contemplative mood but leaves a few cracks for humor and optimism to enter.
A complex but emotionally effective tribute to the Irish author.Pub Date: Jan. 9, 2018
ISBN: 978-1-94486-959-5
Page Count: 160
Publisher: OR Books
Review Posted Online: Sept. 27, 2017
Kirkus Reviews Issue: Oct. 15, 2017
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
