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HOT LIGHTS, COLD STEEL

TRUE STORIES FROM A SURGEON’S FIRST YEAR

Highly animated—and rich in encounters both sad and hilarious.

An orthopedic surgeon’s down-to-earth, fast-paced, and frequently funny memoir of his residency.

Collins admits he felt like “the dullest scalpel in the drawer” at the start of his time at the Mayo Clinic, he admits. In short, punchy chapters he chronicles his four-year journey from terrified junior resident to skilled chief resident. Although Collins notes that surgeons are not generally known for their introspective qualities (and his memoir reflects that), he nonetheless freely describes the emotions he felt making his first incision into a living body, witnessing his first patient death, and conducting his first solo operation. As he grew in competence, he grew in confidence. Surgeons fix things, and for a time Collins rejoiced in the ability to do that increasingly well. He thrived on the gratitude and admiration of patients whose bones he had set or whose joints he had replaced. But he came to realize that it wasn’t in his power to fix everything, a point made in the stories of a young woman whose cancer could not be halted despite extremely disfiguring surgery and of a boy whose horribly mangled leg Collins failed to save. In other pieces, the surgeon touches on the ethics of the residency system, in which the patient’s right to the best care conflicts with the resident’s need to learn. While much of the action takes place at the Mayo Clinic, Collins also shares his personal life. With his wife producing a baby each year, he had to take a second job as an emergency-room doctor to feed his growing family. One old car after another died, each replaced by an equally aging wreck. The subzero Minnesota winters vied with perennial lack of sleep as worst physical indignity. Throughout, Collins depicts with a born storyteller’s skill the camaraderie among young residents as they journey to medical professionalism. We see them together in and out of the hospital, joshing, competing, and supporting each other.

Highly animated—and rich in encounters both sad and hilarious.

Pub Date: Feb. 1, 2005

ISBN: 0-312-33778-7

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2004

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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