The Yellow Menace returns in Crichton's shocking, didactic, enormously clever new mystery-thriller—only now he wears a three-piece suit and aims to dominate America through force of finance, not arms. "The Japanese can be tough," says one character here. "They say 'business is war,' and they mean it." How much they mean it Lt. Peter J. Smith, LAPD, learns when he's assigned to the murder of an American call-girl at the gala opening of the L.A. high-rise headquarters of the Japanese conglomerate Nakamoto. There, Smith butts heads with men whose alien mannerisms he can't interpret and who insist on their own "private inquiry." Fortunately, he's joined by legendary Japan-savvy cop John Connor, the real hero here, a Holmes to narrator Smith's Watson. At the crime scene and thereafter, Connor, whose love/hate for the Japanese stems from years lived in their land, interprets Japanese ways to Smith: "Control your gestures. Keep your hands at your sides. The Japanese find big arm movements threatening..." Connor's commentary is always fascinating but, as the serpentine case coils on, numerous instances of Japanese financial dirty dealing are cited by characters who disparage the Japanese sufficiently ("The Japanese don't believe in fair trade at all"; "Japanese corporations in America...think they're surrounded by savages") to bathe Smith—and the novel—in xenophobic paranoia: It's not by chance that the only likable Japanese here is a crippled beauty who fled to America because "to the Japanese, deformity is shameful." Crichton's coup is to preach within a breathtakingly supple plot hinging on doctored Nakamoto security videotapes that caught the killer at work, the deciphering of which takes place in lab-set scenes as technologically riveting as the best in Jurassic Park. And as suspenseful—for as Smith closes in on the killer and the huge-money stakes behind the crime, Nakamoto agents threaten his family, his career, and his life. Brilliantly calculated Japan-bashing that's bound, for better or for worse, to attract controversy and a huge readership.
Pub Date: March 10, 1992
ISBN: 0-394-58942-4
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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