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LAND’S END

A WALK IN PROVINCETOWN

And “if I die tomorrow, Provincetown is where I want my ashes scattered.” That's a sense of place called home.

A leisurely walking tour and shrewd exposition of that “eccentrics' sanctuary”—Provincetown, Massachusetts—from Pulitzer-winning novelist Cunningham (The Hours, 1998, etc.).

It sits out in the Atlantic, the barb on Cape Cod's hook, a slip of land “that unfurls like a genie's shoe from the coastline of Massachusetts.” Only three miles long and a couple blocks wide, Provincetown is a world unto itself, intriguingly rendered by Cunningham. He takes his tour guide's responsibility seriously and eagerly, wanting readers to get both the grand and intimate view, animate, inanimate, and subanimate. He describes the wild swings of weather: bleached in August, the fog-muted greens of spring, winter revealing the “dreadful, rock-hard opulence of the world, that which remains when idealism and sentimentality have fallen away.” There are sturdy Baedekers to Long Point and the salt Marsh, the spare tranquility of Hatches Cove, the potent mysteriousness of Snail Road, Herring Cove's nude beach with its “unique opportunity to understand that the female breast is among the more profoundly variable of human wonders.” There is the undeniable sexuality of the place, gay and straight, “an improved version of the world at large, aversion in which sexuality, though always important, is not much of a deciding factor,” where “the Log Cabin Republican not only can't ignore the existence of stone butches but buys his coffee from one every morning.” Cunningham introduces its cast of refugees, rebels, and visionaries—from Mayflower Pilgrims to Robert Motherwell to the lady who walks only backwards—attracted by the exoticism and low rents (or, as viably, low-rent exoticism), and there are everyday notes on the pharmacy and A&P, the places where you can pee without having to buy something, the centers of buxom tawdriness, the Portuguese influence, the miraculous pleasures of watching whales, “green in the blue-green water, shadowy as an X-ray, netted with pallid light.”

And “if I die tomorrow, Provincetown is where I want my ashes scattered.” That's a sense of place called home.

Pub Date: Aug. 1, 2002

ISBN: 0-609-60907-6

Page Count: 176

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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