THE NEW BAD THING
by Michael Ebner
A reporter confronts terrorists, the Mafia, and fertility issues in Ebner’s thriller-series starter.
Teagan Penn is a 37-year-old Seattle journalist with a prominent facial dog-bite scar and a talent for drawing out celebrities in soul-baring interviews. Her own soul is troubled by her and her husband Todd’s inability to conceive a child and by news of nearly daily atrocities committed by KIL, an Islamic terrorist group. When KIL starts kidnapping and enslaving girls in the Middle East, Teagan’s frustrated maternal instincts prod her to launch a personal rescue mission of her own. She strikes a deal with a shadowy crime lord named Roman to raise $12 million, which he is to use to mount a mercenary operation called Project Rebound to rescue the girls. The caper goes awry before it even gets going, and after Teagan goes to Paris to untangle it, her hotel is attacked by KIL commandos bent on slaughtering all the guests. When she gets on the phone with Roman, he implies that he sent the shooters to murder her under cover of a massacre. After gunning down two terrorists herself and evacuating the hotel, Teagan is approached by CIA counterterrorism agent Robert Lexington, who drags her into an even murkier imbroglio. Lexington is secretly working for Italy’s Una Banca crime family, who want to kill Roman for betraying them; if Teagan assassinates Roman, he promises he’ll shield her from criminal charges for Project Rebound. This plot thickens further when Teagan gets unexpected news that changes her life. Soon, however, she sets off to hunt Roman down on the other side of the world.
This first installment of Ebner’s series suffers from an ungainly structure, with the narrative lurching from a storyline about improbably omnipotent terrorists to a different tale of implausibly omnipotent gangsters in its second half. Fortunately, much of the action is well staged and effective, especially Teagan’s stalking of Roman, which unfolds in unflashy scenes that highlight her doggedness before a blunt, brutal climax. Ebner gives his characters rich backstories and complex motivations that are reminiscent of a John le Carré novel, with Lexington intriguingly emerging as both victim and antagonist. Throughout, the author renders Teagan’s experiences in vivid prose that captures both the intimacy of motherhood (“After feeding her son, his little head would snuggle between her chin and shoulder…she could hear his every little breath and feel his tiny heart beating throughout his whole body”) and the jagged tensions of violence: “Teagan took a deep breath—ignoring the stabbing-like echo of the attacker’s assault rifle—stayed focused, exhaled and pulled the trigger.” In other passages, he evokes a George Smiley–esque mood of painful disillusionment: “ ‘You can’t make an omelette without breaking a few eggs’ a supervisor had told him. But omelettes aren’t made from week old rotting bodies.” Overall, Teagan proves to be an appealing hero with depth and determination—readers will enjoy rooting for her.An entertaining page-turner that mixes punchy shootouts with resonant soul-searching.