This sublime absurdity should please adult readers as much as very young listeners.
How did that mammoth get in there? And how to get rid of it?
Young Noah opens the refrigerator, and...“There’s a mammoth in the fridge!” he cries. The family, sitting calmly at the dinner table, is understandably skeptical. “Come and eat your fries,” Dad calls back. But when he sees the mammoth jammed in tightly, he slams the door and tells Mom to call the fire department. A sturdy red truck speeds through the streets: “Wheee-ooo! Wheee-ooo!” One fireman carries a butterfly net, and the other two hold a big square net, grimly. When the first fireman opens the door, the mammoth escapes, leaving them all tangled in the big net. The mammoth hits the street and, pursued by a small crowd, climbs a tall leafy tree, remaining there long enough for everyone to get tired and leave. “Come on. It’s not our problem,” says Noah’s father. Night falls; the mammoth hears “Here, kitty, kitty” and is enticed to come down by a cute little girl named Elsa brandishing a bunch of carrots. She lures him home to her room, where he goes to sleep on the rug...right next to the unicorn, sea monster and dinosaur. With minimal lines, abundant white space and a retro palette, each of Maudet’s illustrations suggests a stand-alone cartoon, nicely in tune with Escoffier’s deadpan drollery.
This sublime absurdity should please adult readers as much as very young listeners. (Picture book. 3-5)Pub Date: Sept. 1, 2013
ISBN: 978-1-8775-7950-9
Page Count: 36
Publisher: Gecko Press
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
It’s a bit hard to dance, or count, to this beat.
Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.
Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.
It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)Pub Date: March 1, 2016
ISBN: 978-0-8075-1598-3
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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