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THE STRANGER IN THE WOODS

A thoughtful, honest, and poignant portrait.

A journalist’s account of a Massachusetts man who went deep into the Maine woods to live a life of solitude and self-sufficiency.

While scanning the news online, Finkel (True Story: Murder, Memoir, Mea Culpa, 2005) came across the story of Christopher Knight. Police officers had arrested Knight for burglary, but when they questioned him further, they discovered that their suspect had been living alone in the wild for 27 years. Fascinated, the author sought out the “North Pond hermit” to learn why he had turned his back on society and understand the challenges he now faced with reintegration. Knight’s boyhood and adolescence had been ordinary; his most outstanding traits were his shyness and penchant for solitude. Then, when he was 20, he suddenly quit his job. Without saying a word to friends or family, he went on a road trip that eventually led him to the shores of Moosehead Lake in Maine. There, he parked his car and, carrying only a backpack and a tent, “stepped into the trees and walked away.” Knight built a shelter deep in the woods, where he camped outdoors even during the bitterest of Maine winters. He broke into nearby cottages, where he stole only what he needed to survive, including food, clothing, and magazines. His burglaries—for which he admitted feeling “ashamed”—frightened residents at first. However, over time, many became used to his “visits” and even tried to leave out supplies for him to take. Through interviews conducted with the elusive Knight and those who knew him, Finkel creates a sympathetic portrait of a gentle yet quietly troubled man who willingly chose a Spartan existence in nature as a way to find the peace and freedom that eluded him in society. The narrative that emerges from Finkel’s compassionate research not only probes the nature of the relationship between the individual and society, but also ponders the meaning of happiness and fulfillment in the modern world.

A thoughtful, honest, and poignant portrait.

Pub Date: March 7, 2017

ISBN: 978-1-4711-5197-2

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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