ONE HUNDRED SATURDAYS

At 99, a Holocaust survivor describes her harrowing experience.

In 2015, Frank met Stella Levi when they attended a lecture on Nazi Fascism at NYU’s Department of Italian Studies. Levi grew up in the Juderia (Jewish quarter) of the island of Rhodes among “Judeo-Spanish-speaking Sephardic Italian Jews.” The day after the lecture, the director of the Centro Primo Levi called Frank to ask if he wanted to help Levi (no relation to Primo) with the English in her upcoming talk. He went to her Greenwich Village apartment shortly thereafter for their first meeting. The next week, he told her he wanted to write about her life. Thus began 100 Saturday conversations spanning six years, during which Levi described her upbringing and wartime experience. At first, she refused to discuss the camps to which she and 1,650 other Rhodeslis, wedged onto “three dilapidated cargo boats,” were sent. In Frank’s elegant rendering, Levi restricts herself to family stories—her father’s successful coal and wood business, the sibling who was the first among her sisters to be educated at the Italian high school for girls—before discussing the Fascists who introduced racial laws, disinterred Jewish cemeteries, and “set in motion a series of events that would in time lead to the destruction of this same community, which had lived in relative peace in Rhodes for nearly half a millennium.” The narrative, interspersed with Kalman’s color paintings of scenes from Levi’s life, is an evocative and heartbreaking work. Readers only intermittently get a sense of the connection between Levi and Frank, and based on the evidence presented here, it doesn’t transcend far beyond that of reporter and subject. The story Levi tells, however, is gut-wrenching in its horrifying familiarity, and Frank presents it well—even if the concept of 100 Saturdays comes across as a storytelling gimmick.

A brutal yet ultimately hopeful account from one of history’s darkest episodes.