A mesmerizing tale of love in a time of extraordinary trials.
In this historical novel, an unlikely Jewish couple—she’s an obsessed bibliophile and he can’t read—struggles under an increasingly antisemitic Russia in the late 19th century.
Esther Leving is a remarkable young woman—a voracious reader, she can write in six languages by the age of 15. She’s also defiantly independent and opinionated. Esther angrily chafes at the “subordination of women and persecution of non-believers” as well as the oppression experienced by Jews, a phenomenon she’s familiar with living in Horodno in the Pale of Settlement in the Russian Empire. For all her intellectual liveliness, Esther is essentially friendless, hampered by an injured foot, and completely disinterested in the “array of suitors” her parents send her way. She pines to be a writer and expresses disdain for the restrictions of marriage. But when she meets Bernard Garfinkle, the son of a vodka distiller, she falls in love, even after she learns his peculiar secret—despite a nimble mind, he never learned to read, a failing that makes for an odd pairing astutely captured by Freed-Thall: “I love a boy who can’t read. If I hadn’t gotten to know him first, he’d be a book returned to the shelves unopened. Single words aren’t the problem, but when they gather, all talking at once, he lurches forward, pauses, sounds out, only to lose his way and backtrack.” Esther agrees to teach Bernard to read and opens a bookshop he builds for her. But with the ascension of Alexander III comes virulent, violent anti-Jewish sentiment, a historical development rigorously researched and dramatically conveyed by the author. Nevertheless, this novel is at its core a love story—Freed-Thall sensitively limns the ways in which the couple’s devotion transcends their deep differences, not just literary, but also religious. Bernard is devoutly spiritual, and Esther tends to see religious belief as an instrument of thoughtless prejudice. This is a captivating book, historically authentic and movingly romantic.
A mesmerizing tale of love in a time of extraordinary trials.Pub Date: Sept. 21, 2021
ISBN: 978-1-57869-067-1
Page Count: 330
Publisher: Rootstock Publishing
Review Posted Online: Sept. 10, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Review Program: Kirkus Indie
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
A solid Regency featuring a highwayman and the woman who steals his heart.
A lady playwright finds inspiration on the marriage market.
Miss Althea Hartley is in her third Season, but she’s not really looking for a man to marry this year—she’s far too preoccupied trying to find her muse. In her previous Season, the fellow playwright she thought she might marry not only broke her heart, but destroyed her confidence in her writing ability as well. Even though she’s looking for inspiration everywhere, she’s still surprised when her muse seems to take the form of Jasper Trueblood, Viscount St. James, a silent giant of a man. Jasper has his reasons for preferring to be seen rather than heard; to avoid the wrath of his cruel uncle, who controls his life, he pretends to be “an addlepated clod” in public, and knows how to disappear when needed. But Althea sees him for who he is, and, after she realizes he inspires her to write, wants to see more of him. As her creativity returns, she starts telling tales of a dashing highwayman, though she almost thinks twice about that after a real highwayman stops the carriage she’s riding in. But after she realizes that Jasper is in fact the highwayman—and for very good reasons, at that—the two of them are pulled closer, even though it appears that they’re star-crossed lovers who can’t have more than a few stolen nights together. The third volume in Lorret’s Liars’ Club series ushers another Hartley sister forward to take her turn in the spotlight, and fans of the theatrical clan will be happy to see them reappear throughout the story. And indeed, melodrama abounds, as do several heated encounters between Althea and Jasper. Lorret’s funny and clever writing shines throughout, with a particular highlight being the unique puppet-centered sex education provided for Althea by her mother. Unfortunately, the plot is fairly repetitive before an abrupt shift to an overly eventful conclusion, but Lorret’s fans will easily overlook that, thanks to Althea and Jasper’s intense chemistry and clear affection for each other.
A solid Regency featuring a highwayman and the woman who steals his heart.Pub Date: July 1, 2025
ISBN: 9780063352506
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
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