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THE PEOPLE WE WANTED TO FORGET

A remarkable account of the Vietnam War and its aftermath.

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A former American official recounts his efforts to save displaced Vietnamese refugees in this memoir.

On a Sunday morning in 1978, the Thai government was poised to drag a derelict fishing boat—the only home to 34 Vietnamese refugees who had fled the new Communist regime in their homeland—into international waters, where the boat would surely sink and drown all those onboard. Harpold (Jumping the Line, 2013), a U.S. official, was alerted to the action by a concerned doctor and rushed to the docks in an attempt to save the refugees. The people were victims of a humanitarian crisis with roots in the decadelong conflict between North and South Vietnam, in which the author, like hundreds of thousands of Americans, participated to varying degrees. Originally sent to Saigon in 1968 as a U.S. adviser to the paramilitary National Police Field Force, Harpold had a front-row view of the evolving impact of the war on the everyday lives of the country’s population—a group left vulnerable when American forces abandoned South Vietnam in 1975. In this book, the author recalls his experiences from the time he landed in Saigon to that day on the dock in Thailand 10 years later, telling not simply his own story, but also the tale of an entire generation of people caught up in a conflict much larger than themselves. Harpold writes in a sharp, often lyric prose that deftly captures the emotions and moods of his settings: “The air was warm….As darkness descended, the orange light from drifting parachute flares cast us in eerie shadows. We listened to the muffled crump of artillery in the distance, as South Vietnamese guns desultorily fired at the Viet Cong lurking in the mountains.” There are many Vietnam memoirs in the marketplace, but the author’s perspective—sandwiched midway between the civilian and military worlds, with a deep empathy toward the locals with whom he worked—is refreshingly less American-centric than the average book on the conflict. Of even more interest is that it presses past the war and explores the succeeding years, a rarely discussed period that was, in some ways, even more dire than the conflict itself.

A remarkable account of the Vietnam War and its aftermath.

Pub Date: May 21, 2012

ISBN: 978-1-945271-68-7

Page Count: 248

Publisher: Book Publishers Network

Review Posted Online: Sept. 10, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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