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Easiest If I Had A Gun

A moving, entertaining set of stories from a notable new voice.

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Martin’s debut story collection chronicles the wayward lives of children and adults in rural Pennsylvania.

These nine stories rarely leave the confines of the western part of the Keystone State, but all their characters dream of escape in various ways. For some, this means running off to college; for others, it simply means sitting in a junkyard Bonneville, imagining they’re a character in The Dukes of Hazzard, speeding away. The 10-year-old narrator of “Seventy-Two-Pound Fish Story” yearns so much for a meaningful father-son excursion that he begins conflating fact and fantasy. The adults in the story, who mostly remain in the background, do this as well. In “You Gotta Know When To Hold Them,” a mother loses herself in sanguine romantic novels and fantasies of a better life while refusing to believe it’s possible for her son to have head lice. Likewise, the mother in “Dreamland,” as the title suggests, is so lost in her own alcoholic world that she can no longer see the consequences of her actions. Although these narratives of struggle and desire might sound bleak in summary, Martin is smart enough not to let his stories be overtaken by sentimentality or despair. Nor does he attempt pat endings full of epiphanies or moments of transcendence. Instead, these stories achieve the far-too-uncommon accomplishment of realistically and lovingly depicting everyday people as they stumble and try to break free of their bonds. For example, readers will recognize the adolescent who can’t stand his ex-girlfriend but nevertheless wonders “if she would still have sex with him.” Refreshingly, Martin’s writing not only contains deep currents of empathy, but is also consistently vivid and alive, whether it’s capturing the stilted dialogue of teenagers or pausing to consider the small wonders of the world (as when a fishing line flies out “like a slow breath”). In short, the stories in this collection often feel heartbreakingly real in the best possible way: they show readers humans, flawed and frustrated, just trying to survive.

A moving, entertaining set of stories from a notable new voice.

Pub Date: Nov. 3, 2014

ISBN: 978-0-692-29400-0

Page Count: 135

Publisher: Braddock Avenue Books

Review Posted Online: Oct. 13, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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