by Michael Gruber ‧ RELEASE DATE: May 1, 2010
Smart, tense and vastly entertaining.
A son reconnects with his past as he goes to astonishing lengths to save his mother from the radicals who have kidnapped her.
When terrorists in Pakistan snatch the participants in a peace symposium, one of the people they grab is Sonia Laghari. They quickly learn that she is no ordinary hostage. On one hand, Sonia’s quite a prize. She’s been wanted for decades in the Islamic world, ever since she went on the hajj disguised as a man, violating Islamic law along the way. On the other hand, Sonia’s not the sort of person to quietly do as her captors command, and with the skills she’s learned from her childhood in the circus, her Jungian training and her propensity for using quotes from the Koran against her captors, she has plenty of unusual tools on hand to cause problems. Perhaps the most dangerous thing Sonia has going for her, though, is the fact that her son is the legendary Kakay Ghazan, a famous mujahideen who once, as a young boy, single-handedly captured a Russian base during the Soviet occupation of Afghanistan. But now the proud Pashtun warrior Kakay Ghazan is Theo Bailey, an American citizen and ex-Delta who serves on a top-secret U.S. military team. When Theo figures out there probably won’t be an official mission to rescue his mother and the rest of the symposium participants, he decides to do whatever it takes to get her out. Meanwhile, back in the States, a young translator on her way up begins to suspect something fishy is going on with all the cell-phone intercepts they’ve been catching lately, wherein radical Islamists are uncharacteristically bold about discussing a nuclear device they seem to have gotten their hands on. Gruber (The Forgery of Venus, 2008, etc.) weaves the threads together masterfully while successfully exploring themes of family, duty, loyalty, cultural identity and more, without ever slowing the momentum.
Smart, tense and vastly entertaining.Pub Date: May 1, 2010
ISBN: 978-0-8050-9128-1
Page Count: 400
Publisher: Henry Holt
Review Posted Online: Feb. 22, 2011
Kirkus Reviews Issue: March 15, 2010
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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