by Michael Gruenbaum with Todd Hasak-Lowy ‧ RELEASE DATE: Aug. 25, 2015
As historical fiction, this offering is fine, but it is not nonfiction by any stretch of the imagination.
Holocaust survivor Gruenbaum has a story to tell.
From prewar childhood in Prague to Terezin (and participation in its infamous performances of Brundibar) and liberation by the Red Army, a first-person narration relates Gruenbaum’s story; although his father perished, remarkably, he, his mother, and his sister survived together. In an introduction, Gruenbaum describes his story’s path to publication some 70 years after the end of the war. After many rejections of his original, picture-book manuscript, his story was picked up with the suggestion that his experiences be retold by a professional writer in a much longer book. What follows is Hasak-Lowy’s re-creation of Gruenbaum’s experiences, told in a childlike first person and featuring novelistic flourishes such as extensive, “recreated” dialogue. In a lengthy afterword, Hasak-Lowy describes his process, which included a trip to Prague and Terezin and consultation with Gruenbaum. In writing, he "elaborate[ed] on the fragments of [Gruenbaum’s] memories" by "fill[ing] in gaps on a very regular basis," and "suppl[ied] large parts" of the personalities and actions of the characters "in order to bring the scenes with them to life." Gruenbaum is “very pleased with the results,” but moving though it is, the book simply does not meet the definition of nonfiction, which the label “memoir” implies.
As historical fiction, this offering is fine, but it is not nonfiction by any stretch of the imagination. (Historical fiction. 10-14)Pub Date: Aug. 25, 2015
ISBN: 978-1-4424-8486-3
Page Count: 384
Publisher: Aladdin
Review Posted Online: May 14, 2015
Kirkus Reviews Issue: June 1, 2015
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by Martin W. Sandler ‧ RELEASE DATE: Jan. 4, 2011
As he did in Lincoln Through the Lens (2008), Sandler offers a fascinating photo-essay examining how images shaped public perceptions of John F. Kennedy. In Kennedy’s case, it was television and advances in color photography and photojournalism that were influential. One of America’s most photogenic presidents, Kennedy was an astute user of the media. Following the format of the other Through the Lens books, each spread is a self-contained “chapter,” with one page of text and a full-page photograph, many in color. The book begins with an overview of Kennedy’s life and the role that photography and television played in his career. Subsequent spreads are chronological, covering Kennedy’s life from childhood through assassination. The author notes the significance of the Kennedy presidency’s being the first to be photographed mostly in color, “perfect for capturing the glamour that came to be associated with the Kennedy years.” Kennedy’s life and administration were documented with a groundbreaking intimacy the public had never known before, making this an accessible, insightful perspective on one of America’s most famous presidents. (further reading and websites, source notes, index) (Biography. 10-14)
Pub Date: Jan. 4, 2011
ISBN: 978-0-8027-2160-0
Page Count: 96
Publisher: Walker
Review Posted Online: Dec. 31, 2010
Kirkus Reviews Issue: Nov. 15, 2010
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by Patrick Dillon & illustrated by P.J. Lynch ‧ RELEASE DATE: Feb. 1, 2011
Tricked out with a ribbon, foil highlights on the jacket and portrait galleries at each chapter’s head by Ireland’s leading illustrator, this handsome package offers British readers an orgy of self-congratulatory historical highlights. These are borne along on a tide of invented epithets (“ ‘Foreigners!’ spat Boudicca”), fictive sound bites (“Down with the Committee of Safety!”) and homiletic observations (“By beating Napoléon the British showed how strong they were when they worked together”). Aside from occasional stumbles like the slave trade or the Irish potato famine, Britain’s history—from the Magna Carta to the dissolution of the biggest empire “there had ever been”—unfolds as a steady trot toward ever-broader religious toleration, voting rights and personal freedom. American audiences will likely be surprised to see Mary Queen of Scots characterized as “one of the most famous of all monarchs,” and the Revolutionary War get scarcely more play than the Charge of the Light Brigade. It makes a grand tale, though, even when strict accuracy sometimes takes a back seat to truthiness. Includes timelines, lists of monarchs and an index but no source lists. (Nonfiction. 11-13)
Pub Date: Feb. 1, 2011
ISBN: 978-0-7636-5122-0
Page Count: 352
Publisher: Candlewick
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
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by Patrick Dillon ; illustrated by Stephen Biesty
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