by Michael Hiltzik ‧ RELEASE DATE: April 1, 1999
Highly recommended.
In the late 1960s, Xerox founded a research center at Palo Alto, Calif. In time, that facility, known as PARC, became ground zero of the computer revolution, as recounted here.
In the dinosaur era of computing, a typical machine filled a large room and was shared by dozens of researchers. Los Angeles Times editor Hiltzik (A Death in Kenya: The Murder of Julie Ward, 1991) credits Robert W. Taylor, who assembled the PARC team, with changing that. Taylor’s field was psychology, not engineering; but his vision of the computer as a communications device was a radical departure. He got his chance to realize it when Xerox’s chief scientist Jacob Goldman persuaded his superiors to launch a basic research facility along the line of AT&T’s famed Bell Labs. Xerox management, more interested in marketable products than in pure science, nearly killed the center before it opened. But Taylor gradually built his team of young computer hotshots, and the innovations flowed: mouse, Ethernet, even the term “personal computer.” By 1973, a team led by Chuck Thacker had created Alto, a computer small enough to fit under a desk. Its first program displayed an animated graphic as a test of the user interface: Cookie Monster, from Sesame Street. Two years later, Xerox was selling a mail-order computer kit called Altair 8800—one of which inspired a young hobbyist named Bill Gates. But except for the laser printer, Xerox consistently failed to exploit PARC’s innovations. Instead, the company pushed the Star workstation, released in 1981. Within six months, IBM had released its first PC, and the Star was obsolete. Meanwhile, Microsoft and Apple Computer (both of which appropriated their design philosophy from PARC) were on the rise. Hiltzik focuses on the human dimensions of the story, taking full advantage of the rich cast of characters involved in earth-shaking developments. A compulsively readable account of perhaps the most important technological undertaking since the Manhattan Project.
Highly recommended.Pub Date: April 1, 1999
ISBN: 0-88730-891-0
Page Count: 256
Publisher: Harper Business
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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