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RUSSIAN ROULETTE

THE INSIDE STORY OF PUTIN'S WAR ON AMERICA AND THE ELECTION OF DONALD TRUMP

If you’re puzzled why the sitting president isn’t going after the Russians for election tampering and other bad behavior,...

An eye-popping exposé of what amounts to a Cabinet appointment for Vladimir Putin in the Trump White House.

The facts are being revealed daily: In one bit of fresh Trump news uncovered by Yahoo News investigative reporter Isikoff and Mother Jones Washington bureau chief Corn (co-authors: Hubris: The Inside Story of Spin, Scandal, and the Selling of the Iraq War, 2006), Russian authorities lobbied the incoming administration extensively for a Putin regime–friendly secretary of state, and voilà, Rex Tillerson was appointed. That Tillerson is out of office is just one denouement of a tale that may start with the premise, as one intelligence insider put it, that the White House is now occupied by a “Manchurian candidate.” And why might Trump be so characterized? There lies the meat of this book, a careful, piece-by-piece look at the business dealings between Russia and various tentacles of Trump’s shady business empire, including attempted spinoffs from the Miss Universe pageant in Moscow that collectively explain “Trump’s unwavering sympathy for the Russian strongman”—a sympathy that includes refusing to enforce congressionally mandated sanctions. Quite simply, write the authors, “Trump would not criticize the man whose permission he would need to build a Trump Tower in Moscow.” Tied up in what is a resounding refusal to put national interests over personal ones are a mess of related circumstances, including side notes on Julian Assange, WikiLeaks, Edward Snowden, and the Panama Papers; Barack Obama’s failure to act on intelligence that reported Russian infiltration of the American electoral process; an unhurried intelligence apparatus that assumed that Hillary Clinton was going to win; and now, a compromised president who, for all his protestations to the contrary, seems thoroughly in the pocket of the Russian government. “Never before,” write the authors, “had a president’s election been so closely linked to the intervention of a foreign power.”

If you’re puzzled why the sitting president isn’t going after the Russians for election tampering and other bad behavior, this is just the book to explain.

Pub Date: March 13, 2018

ISBN: 978-1-5387-2875-8

Page Count: 352

Publisher: Twelve

Review Posted Online: March 13, 2018

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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