TRUTH IS IN THE HOUSE

Two kids living in the Bronx grow up in an era dominated by drugs, racial tension, and the Vietnam War in this novel.

Jaylen Jackson and his brother, Jamani, are swept out of the Jim Crow South by their mother, Tyra, after their father disappears. Jimmy O’Farrell’s father, Matthew, moves his family to New York City from Ireland, hoping to become part of America’s immigration legacy. Both Jaylen and Jimmy find a home in the Bronx, yet outside their passion for basketball, they have remarkably different experiences there and only cross paths on “The Courts.” Jimmy feels comfortable in the heavily Irish community, but after a violent gang attack takes a friend’s life, he is ill at ease around the Black and Hispanic families in New York’s melting pot. Jaylen, meanwhile, discovers that while the “Whites Only” signs of Mississippi are long gone, his skin color still matters, and he eventually leaves college to join the Marines, an institution that promises a life beyond such prejudice. But this is the 1960s, and the Vietnam War rages, and even for an accomplished soldier, there is no real equality to be unearthed in the Asian jungles. What he does find, surprisingly, is Jimmy, now a Marine himself and happy to see a familiar face from the Bronx. When both are wounded, a chance encounter on the USS Sanctuary gives Jaylen a blunt moment to peel back the racial facade that separates them, a revelation that will shape the two men’s decisions after returning home. Coffino employs an understandable language in the novel’s action scenes, particularly on the basketball court and with other team sports. Even Jimmy and his family’s listening to the 1960s World Series is exciting and high stakes. New York comes alive in the book, a place of great history and infinite possibility, with people of all races and creeds constantly in both cooperation and conflict. Vietnam is deftly captured as a carnal, violent place, and the only setting that comes up short in the story is its portrayal of Jim Crow Mississippi, its communities, perhaps rightfully, taking a back seat to its vile politics. Dreams, folklore, and Bible verses foreshadow events and outline characters’ anxieties, connecting them beyond race and through a shared culture and experiences.

A vividly drawn period piece about violence and race in America.