This Chanukah offering from Rosen (Elijah’s Angel, 1992, etc.) attempts to find metaphoric comparison for the lights of the Chanukah menorah. But while Angel soars, Lights falls flat. The metaphors are forced, the language stilted, and Iwai’s (Night Shift Daddy, 2000, etc.) illustrations, while colorful and appealing, are flawed. On the first night of Chanukah the moon is like a flame. On the second night two headlights from grandpa’s car resemble the Chanukah lights, defying the laws of parallel parking as well as the laws of physics by shining directly into the living room of the family’s brownstone walk-up. On the third night, cousins come to visit and the young narrator switches on the lamps outside, “and suddenly there are three more lights, like in our menorah!” On the fifth night, five silver dollars shine like lights. By the seventh night, the family finds a Chanukah analogy in the seven bulbs burning in the windows of a Christian friend. Dad declares that “Chanukah is also about the joy of different religions sharing a street.” So far, the story has revealed little about the meaning of Chanukah. Iwai’s illustration for this spread shows a suburban neighborhood, despite already having depicted the family’s street in the heart of a neighborhood that looks a lot like Brooklyn. A note following the text explains the origins of the holiday. Disappointing. (Picture book. 3-5)
Pub Date: Oct. 1, 2001
ISBN: 0-15-202447-6
Page Count: 32
Publisher: Gulliver/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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