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MYSTIC CHORDS OF MEMORY

THE TRANSFORMATION OF TRADITION IN AMERICAN CULTURE

An ambitious, wonderfully detailed investigation into the shifting perceptions of American cultural identity from Pulitzer Prize-winner (People of Paradox, 1973) Kammen (American History and Culture/Cornell; A Machine That Would Go of Itself, 1986, etc.). Taking his title from Lincoln's First Inaugural Address plea for national unity, Kammen asserts that, particularly in times of upheaval, ``a usable past has been needed to give shape and substance to national identity.'' Thus, the broad chronological division of the book into three postwar periods: 1870-1915, when the trauma of civil war and an influx of immigrants made history a mechanism for social and political unification; 1915-45, during which time the tensions of memory and modernism, populism and elitism, combined to forge a uniquely American aesthetic; and 1945- 90, an era of ``amnesia'' encompassing an intense interest in things historical and a shocking lack of specific knowledge. Throughout, the author masterfully untangles the threads of myth, tradition, and nostalgia underlying the curious ``ambiguities and dualisms'' of a nation stubbornly devoted to both past and future vision. Hence, there arose such very American anomalies as Henry Ford following up his transformation of working life and leisure (and his oft-quoted remark that ``History is more or less bunk'') with obsessive collecting and the creation of two ``living'' museums. Splendidly inclusive in the best, most delightful vein of intellectual history, in which no cultural artifact is discounted as trivial, Kammen's study offers a liberal sampling of high and low culture—literature and popular reading material; pageants and parades; art, architectural, and design trends; museums, theme parks and monuments—as well as a nice dollop of historiography and a careful consideration of similar movements abroad. Admirable, perceptive, and refreshingly well balanced—a daunting task superbly accomplished. (One hundred and forty-five illustrations—not seen.)

Pub Date: Nov. 13, 1991

ISBN: 0-394-57769-8

Page Count: 864

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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