by Michael Kazin ‧ RELEASE DATE: Feb. 15, 1995
A timely history of the American politicians and publicists who have appealed to ``the people.'' Kazin (History/American Univ.; Barons of Labor, not reviewed) shows how populist language has a complicated history, full of irony, paradox, and at times menace. As an academic historian, Kazin shares the disquiet that many of his colleagues have felt in defining populism. On the one hand, there is sympathy for the liberal and inclusive attack on corporate interests and closed government that characterized the great People's Party of the 1890s, the most sustained attack on the two-party system since the Civil War. On the other hand, Kazin recognizes that populist rhetoric, whether liberal or conservative, has often constructed ``the people'' as a group of white males, leaving out women, new immigrants, and African-Americans. Furthermore, there has been a tendency for populists of both the right and the left to engage in conspiracy theories that victimize vulnerable minorities. After setting out the broad emergence of a populist style based on a 19th-century reading of Jefferson, Jackson, and Lincoln, Kazin shows how this subtle and flexible language was appropriated by one political movement after another: the People's Party, the Anti- Saloon League, the American Federation of Labor, the Congress of Industrial Organizations, the Communist Party, and Father Coughlin. Finally, he chronicles the capture of populist language by conservatives, whether Cold Warriors and segregationists like George Wallace, or the Republican right of Goldwater and, later, Reagan and his would-be heirs. Kazin laments the elitism of postNew Deal liberalism, which opened the way, he believes, for a conservative appropriation of populist argument. A solid historical view, slightly deflated by Kazin's muddled speculation on the need for new, inclusive social movements that incorporate the historic language of populism.
Pub Date: Feb. 15, 1995
ISBN: 0-465-03793-3
Page Count: 352
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1994
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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