Political maneuvering rarely begets a page-turner, but Kimmage’s insightful account is just that.
The background to one of the most dangerous geopolitical clashes of the post–Cold War era.
Kimmage, a history professor and author of Abandonment of the West, admits that he is not an expert on Ukraine. As a scholar in political science, however, he provides well-informed and realistic, if bleak, context for current events. Russia’s 2022 invasion, writes the author, marked the end of “three of the most peaceful, most promising, most prosperous decades in European history.” Upon Ukrainian independence in 1991, U.S. officials treated the new nation lazily, overpromising (dangling but refusing NATO membership in 2008) and then refusing to arm it after Russia’s takeover of Crimea in 2014. With no nostalgia for communism but yearning (along with most Russians) to make his nation powerful again on the global stage, Putin noted that NATO had also declined to admit Georgia in 2008. A few months later, his army invaded Georgia, and America and its NATO allies expressed outrage but took no action. In 2014, the Russian army occupied Crimea and other areas in eastern Ukraine. Most Russians were pleased, while the U.S. and other powers expressed outrage and imposed sanctions but failed to take real action. Putin regularly proclaims that the U.S. is an empire in decline. Kimmage admits that this is a reasonable impression, observing that 21st-century America has stumbled badly through two stalemated wars, a depression, and a disastrous presidency. Having triumphed in two earlier wars, Putin had no doubt he was on a roll, but matters did not work out so well in his third. In a fitting conclusion to his well-researched book, the author expresses mild approval of Biden’s response to Russia’s invasion of Ukraine, but he knows too much history to predict a satisfying outcome.
Political maneuvering rarely begets a page-turner, but Kimmage’s insightful account is just that.Pub Date: March 22, 2024
ISBN: 9780197751794
Page Count: 304
Publisher: Oxford Univ.
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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