There’s undoubtedly a great swashbuckling adventure story here, but Kleeberg has failed to unearth it.
This first U.S. publication of the German author is a leaden historical, based on a true story, about the (mostly) charmed life of an 18th-century German baron.
After a confusing start, the fog lifts to reveal a widow and her two children living in poverty in Lorraine, in northern France. The father, a nobleman from Westphalia, has died of consumption. In 1704 the family gains a benefactor, the Count de Mortagne, a courtier at Versailles, who secures a position as a page for the young Theodor von Neuhoff; he is the first of Theodor’s many patrons. The baron is quick to learn the way the court works, and the importance of gossip; his eavesdropping skills land him an assignment in Paris, where he loses his virginity and incurs huge gambling debts (he will be a lifelong spendthrift). From Paris the court sends him to the Hague as a secret agent to contact a high-ranking Swede, in league with the French against the English. Theodor is right at home in this world of complex rivalries, but Kleeberg is a poor guide for 18th-century Europe, a hodgepodge of nation-states, city-states, grand duchies and protectorates, and Theodor is a disappointing protagonist. Not substantial enough to be a hero or anti-hero, he is the consummate dilettante as he shifts allegiance from Sweden to Spain to the House of Habsburg. In the novel’s final third he finds himself in the thick of the struggle between Corsica and the Republic of Genoa, and offers himself to the Corsicans as their King. This brings him fame throughout Europe, but on the eve of his coronation he is still subject to mood swings (“I don’t want to do this anymore”). He eventually resumes his odyssey, and any drama drains out of the narrative in Kleeberg’s recitation of dates and places.
There’s undoubtedly a great swashbuckling adventure story here, but Kleeberg has failed to unearth it.Pub Date: May 6, 2008
ISBN: 978-1-59051-256-2
Page Count: 392
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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