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THE LOCKLEAR LETTERS

A quick and enjoyable tour of the lighter, funnier side of dementia.

Just one more excellent reason to never write letters to celebrities.

There’s plenty to like about an epistolary tale. For the reader, there’s the sense of eavesdropping on a private conversation. For the writer, there’s the advantage of not having to worry so much about character or setting; as long as you provide a consistent voice, some funny scenes, and a smooth arc of action, it’s in the bag. This collection of apocryphal missives—via second-novelist Kun (A Thousand Benjamins, 1990)—details the sad plight of one Sid Straw, a computer salesman in Maryland and proud graduate of UCLA. Sid is convinced (though nobody else seems to be) that he briefly knew the actress Heather Locklear at school and writes to request an autographed photograph as a birthday present for his brother Tom, “a HUGE fan . . . not just ‘Melrose Place,’ but your other TV shows, too.” As Sid seems to be borderline obsessive-compulsive, just one missive won’t do it, of course. He sends a veritable torrent of letters, each one wanting to know more about Heather’s life, why she hasn’t written back, whether she’ll be at the class reunion, etc. The flood widens to include additional correspondence: to the mailroom that won’t properly deliver his mail, the agent who won’t forward his letters to Heather, the lawyer threatening him with a restraining order, the publisher that mistakenly keeps mailing him pornographic books, the flower delivery service that screwed up a note to his girlfriend, who later left him, and so on. While Sid is obviously a man with problems (Rupert Pupkin from The King of Comedy seems an inspiration), they’re mostly garden-variety compulsions familiar to most people; everyone knows a guy like Sid, which gives the comedy a bitter tang.

A quick and enjoyable tour of the lighter, funnier side of dementia.

Pub Date: June 5, 2003

ISBN: 1-931561-36-2

Page Count: 340

Publisher: MacAdam/Cage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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